The Mother

Overview

The Mother, the companion piece to the hugely successful production of The Father, showed at The Fugard from the 2nd of July 2017. The text was translated from the French text by Florien Zeller by Christopher Hampton and directed by Janice Honeyman. Anna-Mart van der Merwe starred in the South African premiere of Florian Zeller’s companion piece.

The Mother introduces Anne, a woman who loved that time in her life when she prepared breakfast each morning for her two young children, Sara (Amy Louise Wilson) and Nicholas (Sven Ruygrok). Now they have grown up with lives and loves of their own. Spending hours alone, Anne’s world falls in on her. Has her son Nicholas, always her favourite, really come back home? And what of her suspicions about her husband (Graham Hopkins).

Details

First performance
7 February 2017

Final performance
4 March 2017

Venue
The Fugard Studio

Cast

Anne
Anna-Mart van der Merwe

Pierre
Graham Hopkins

Nicolas
Sven Ruygrok

Élodie
Amy-Louise Wilson

Creative team

Producer
Eric Abraham

Co-Producer
Daniel Galloway

Resident Director & General Manager
Greg Karvellas

Associate Producer
Lamees Albertus

Writer
Florian Zeller

Translation
Christopher Hampton

Director
Janice Honeyman

Costume, Set Design
Birrie le Roux

Associate Set Designer
Rocco Pool

Lighting Design
Mannie Manim

Sound Design & Music Composition
Nicolaas van Reenen

 

Production team

Production Manager
Roberto Grové

Production Assistant
Christie Hollander

Technical Manager
Benjamin du Plessis

Stage Manager
Ulibo Maake

Set Construction
Gerhard Morkel
Carl Gersbach (for CHG Engineering)

Photography
Daniel Rutland Manners

Publicity
Christine Skinner

Reviews

★★★★★
“A cast who, without exception, deliver polished performances. This is superlative theatre.”

Cape Argus

★★★★★
“A powerful and disturbing theatre experience in equal measure.”
Die Burger
“What Van der Merwe achieves on the small stage of The Fugard Studio is powerful and tragic.”
Broadway World
“Four exceptional performances”
Cape Times
“A deeply poignant piece that should be seen by everyone.”
Litnet
“Honeyman transcends herself with aching tale of a misspent life.”
48 Hours

Production photos

Video